One Mo' Time
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Stepping Back into "One Mo' Time" on the West End
"One Mo' Time" is a spirited musical revue that transports audiences to the vibrant world of 1920s New Orleans vaudeville. Conceived and written by Vernel Bagneris, this celebration of Black artistry debuted Off-Broadway in 1979 before crossing the Atlantic to grace London’s West End in 1981. With its infectious jazz rhythms, soulful blues, and a cast embodying the era’s exuberance, the show offers a nostalgic glimpse into a bygone era of entertainment, spotlighting the resilience and talent of Black performers.
A Night at the Lyric Theatre
Set in the fictional Lyric Theatre of 1926 New Orleans, "One Mo' Time" unfolds as a single, steamy evening of vaudeville performance. The story revolves around a troupe of singers and musicians navigating personal rivalries and the demands of their craft, all while delivering a rollicking lineup of classic songs. From the sassy Bertha to the charismatic Papa Du, the characters burst with personality, their interactions laced with humor and heart. The loose narrative serves as a framework for the real star: the music, which captures the spirit of an era when jazz ruled the airwaves.
The Creative Vision
Vernel Bagneris not only penned "One Mo' Time" but also directed and starred in its original productions, bringing an authentic touch to the revue. Inspired by the real-life performers of the segregated TOBA (Theatre Owners Booking Association) circuit, Bagneris crafted a show that honors their legacy. The score features timeless tunes like "After You’ve Gone," "Everybody Loves My Baby," and "Muddy Water," performed with gusto by a tight-knit ensemble. The production’s simplicity relying on talent rather than elaborate sets amplifies its raw, joyous energy.
The West End Run of 1981
"One Mo' Time" arrived in London’s West End in 1981 at the Cambridge Theatre, following its Off-Broadway success and a U.S. tour. The cast included standout performers like Topsy Chapman as Thelma, Thais Clark as Ma Reed, and Sylvia "Kuumba" Williams as Bertha, the latter earning a nomination for Actress of the Year in a Musical at the 1981 Olivier Awards. Though its West End run was relatively brief, the show left an impression with its infectious charm and authentic portrayal of vaudeville culture, appealing to audiences eager for a taste of American jazz heritage.
Musical Highlights and Vaudeville Flair
The heart of "One Mo' Time" lies in its songbook, a treasure trove of 1920s standards that showcase the versatility of its performers. "Cake Walkin’ Babies from Home" brings high-stepping energy, while "Kitchen Man" drips with playful innuendo. The revue’s centerpiece, "There’ll Be a Hot Time in the Old Town Tonight," ignites the stage with communal exuberance. Each number reflects the vaudeville tradition of blending music, comedy, and charisma, making the audience feel like they’ve stumbled into a lively night at the Lyric.
A Lasting Echo
Though "One Mo' Time" didn’t achieve the longevity of some West End giants, its impact endures. After London, it returned to Broadway in 2002, and its spirit lives on in regional productions and recordings. The musical stands as a tribute to the unsung stars of the TOBA circuit, whose talent thrived despite systemic barriers. Its blend of historical reverence and unbridled fun has kept it a beloved piece of theatre history, resonating with those who cherish the roots of American music.
Why "One Mo' Time" Still Matters
"One Mo' Time" remains a joyful testament to the power of performance, offering a window into a world where music was both escape and expression. Its West End debut introduced London to the infectious rhythms of New Orleans, bridging cultures through song and story. For theatregoers, it’s a chance to revel in a slice of the Roaring Twenties, where every note and step pulses with life a reminder of the enduring magic of live entertainment.