King of Cadonia
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Introduction to "King of Cadonia"
"King of Cadonia" premiered in London’s West End at the Prince of Wales Theatre on September 3, 1908, running for an impressive 333 performances. This English musical, with a book by Frederick Lonsdale, music by Sidney Jones and Frederick Rosse, and lyrics by Adrian Ross and Arthur Wimperis, was produced by Frank Curzon. Starring Isabel Jay as Princess Marie, Huntley Wright as the Duke of Alasia, and Bertram Wallis as King Alexis, it marked Lonsdale’s first theatrical hit. Set in the fictional realm of Cadonia, its blend of romance, intrigue, and catchy tunes like "The Wind of Love" and "Disguises" delighted Edwardian audiences, cementing its place as a notable success of its era.
The Creative Team Behind the Show
Frederick Lonsdale penned the book, weaving a tale of royal escapades that showcased his emerging talent, later seen in "The Maid of the Mountains." Sidney Jones, a veteran of "The Geisha," and Frederick Rosse composed the score, with Ross and Arthur Wimperis adding witty lyrics. Frank Curzon’s production brought polish, spotlighting Isabel Jay’s vocal grace, Huntley Wright’s comedic flair, and Bertram Wallis’ regal charm. The supporting cast, including Queenie Merrall and Gladys Beech as ladies-in-waiting, enriched the ensemble, while the creative synergy delivered a cohesive, crowd-pleasing musical that bridged Victorian operetta and modern comedy.
A Royal Adventure in Cadonia
In the mythical kingdom of Cadonia, where kings are swiftly replaced, Alexis tires of his crown’s constraints as his coronation looms. Learning of an assassination plot, he shaves his mustache and beard, fleeing in disguise. He meets Princess Marie, daughter of the timid Duke of Alasia, heir to the throne, and their romance blossoms she unaware of his true identity, he thrilled by her love for a “stranger.” Infiltrating the conspirators, led by a scheming head gardener, Alexis earns their respect. His reveal as king sways them to loyalty, uniting love and duty with Marie, while the Duke rejoices at dodging the throne. Songs like "The Portrait" underscore this tale of bravery and romance.
Performance and Reception
Opening in 1908, "King of Cadonia" rode the wave of Edwardian optimism, its 333-performance run a testament to its appeal. Critics likely praised its tuneful score and Wright’s droll Duke, though specific reviews are lost to time. Audiences flocked to see Jay’s radiant Marie and Wallis’ dashing Alexis, savoring the lighthearted escape amid a season of theatrical abundance. Its success spurred a brief 1910 Broadway stint at the Fifth Avenue Theatre, with Jerome Kern’s added songs, running just 16 shows. In London, it thrived as a polished crowd-pleaser, its mythical setting and royal twists resonating with a public eager for whimsy and melody.
Legacy in West End Theatre
"King of Cadonia" bridged the ornate operettas of the 1890s and the sharper musical comedies of the 1910s, paving the way for Lonsdale’s later triumphs. Its 333 West End performances outshone many contemporaries, signaling the genre’s evolution under talents like Jones and Ross. Though overshadowed by longer-running Gaiety hits, its Broadway export however brief highlighted its transatlantic pull. Rarely revived today, it remains a charming artifact of Edwardian theatre, its songs and story a snapshot of a West End embracing new voices and playful narratives, leaving a legacy of innovation in London’s storied stage history.